Sunday, April 22, 2012
Sunday, April 15, 2012
Georgie, Waiting for his Bubble Drink, Joyce Dade (c) 2012 Photographic
Thursday, April 12, 2012
Patricia, From the Beautiful Neighbor Series, Joyce Dade (c) 2012
Monday, April 2, 2012
The Existential Moment #3, Photographic, Joyce Dade (c) 2012
Existential Moment, Photographic, Joyce Dade (c) 2012
Wednesday, March 28, 2012
Farewell and God Bless You, Hilton Kramer
I cried yesterday when I read that the senior statesman of art criticism, Hilton Kramer had passed away. Mr. Kramer is in my opinion, the greatest of art critics, brave, unafraid to go up against the biggest "art world" players and heavy hitters. He was my kind of man. So, when I read of his passing, I simply broke down and cried. I cried because we have lost a great man of letters, a giant of a man. I am not sure if we will ever see the likes of someone who can replace him although, I remain hopeful. We need his the brand of courage of conviction and high brow, high minded and rugged forthrightness in art criticism and across the board when it comes to art.
When I first encountered his writings, many years ago, I knew that I was reading the criticism of someone who saw things the way that I did. I realize was considered by many people to be too conservative in his viewpoint but, in many ways, I am conservative too.
When I first read his articles many years ago, I was comforted to find that there was a critic out there who was cogent at the same time, expressed a contempt for run of the mill art and artists who weren't really raising the bar vis-a-vis their contributions. Artists who were nevertheless, making huge sums of money and at the same time, making American art history with far less than high caliber art. The situation does not seem to have changed very much over the years, the difference is, now we are without Mr. Kramer to tell us like it is.
As time went by, I lost track of Hilton Kramer, he left the New York Times and I did not know of his , New Criterion stint since 1982. I lost track of a giant only to find yesterday that he had left us to fend for ourselves in an art world of dubious distinction.
Hilton Kramer was a hero of mine. I treasure his memory and feel the need now more than ever to look into and research his critical essays and, rediscover this courageous and wonderful man of letters that the world can simply not replace.
Thank you, beloved Hilton Kramer, for being one of the very best men of letters that this world has thad o offer us. God bless you now and always.
When I first encountered his writings, many years ago, I knew that I was reading the criticism of someone who saw things the way that I did. I realize was considered by many people to be too conservative in his viewpoint but, in many ways, I am conservative too.
When I first read his articles many years ago, I was comforted to find that there was a critic out there who was cogent at the same time, expressed a contempt for run of the mill art and artists who weren't really raising the bar vis-a-vis their contributions. Artists who were nevertheless, making huge sums of money and at the same time, making American art history with far less than high caliber art. The situation does not seem to have changed very much over the years, the difference is, now we are without Mr. Kramer to tell us like it is.
As time went by, I lost track of Hilton Kramer, he left the New York Times and I did not know of his , New Criterion stint since 1982. I lost track of a giant only to find yesterday that he had left us to fend for ourselves in an art world of dubious distinction.
Hilton Kramer was a hero of mine. I treasure his memory and feel the need now more than ever to look into and research his critical essays and, rediscover this courageous and wonderful man of letters that the world can simply not replace.
Thank you, beloved Hilton Kramer, for being one of the very best men of letters that this world has thad o offer us. God bless you now and always.
Labels:
art world,
hero,
Hilton Kramer,
New Critereon,
New York Times
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